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City of Angels (film) Quotes

City of Angels (film) is a TV program that first aired in 1970 . City of Angels ended in 1970.

It features Charles Roven as producer, Gabriel Yared in charge of musical score, and John Seale as head of cinematography.

City of Angels (film) is recorded in English and originally aired in United States. Each episode of City of Angels (film) is 114 minutes long. City of Angels (film) is distributed by Warner Bros. Pictures.

City of Angels (film) Quotes

  • (Maggie Rice) "Those eyes. The way he looked right -- right down into me."
  • (Seth) "I can't see you but I know you're there."
  • (Seth) "Am I being punished?"
  • (Cassiel) "Come on, you know better than that."
  • (Maggie Rice) "Got a message for me?"
  • (Seth) "I already gave it to you."
  • (Maggie Rice) "Well, did you use my pager? 'Cause I usually don't get my messages unless you beep me."
  • (Seth) "You've definitely been beeped."
  • (Seth) "I was there in the stairwell -- when you cried for your patient. And I touched you, remember?"
  • (Maggie Rice) "Why are you doing this?"
  • (Seth) "Because I'm in love with you."
  • (Maggie Rice) "Do you feel that?"
  • (Seth) "Yes."
  • (Maggie Rice) "And that? How's it feel? Tell me what it feels like."
  • (Seth) "I can't."
  • (Maggie Rice) "Try."
  • (Seth) "Warm. Aching."
  • (Maggie Rice) "It's okay. We fit together."
  • (Seth) "I know."
  • (Maggie Rice) "We were made to fit together."
  • (Maggie) "What happened?"
  • (Seth) "Free will."
  • (Seth) "You're an excellent doctor."
  • (Maggie) "How do you know?"
  • (Seth) "I have a feeling."
  • (Maggie) "That's pretty flimsy evidence."
  • (Seth) "Close your eyes. It's just for a moment."
  • (Seth) "What am I doing?"
  • (Maggie) "You're -- touching me."
  • (Seth) "Touch. How do you know?"
  • (Maggie) "Because, I feel it."
  • (Seth) "You should trust that. You don't trust it enough."
  • (Seth) "Why do people cry?"
  • (Maggie) "What do you mean?"
  • (Seth) "I mean, what happens physically?"
  • (Maggie) "Well -- umm -- tear ducts operate on a normal basis to lubricate and protect the eye and when you have an emotion they overact and create tears."
  • (Seth) "Why? Why do they overact?"
  • (Maggie) "I don't know."
  • (Seth) "Maybe -- maybe emotion becomes so intense your body just can't contain it. Your mind and your feelings become too powerful, and your body weeps."
  • (Cassiel) "To smell the air."
  • (Seth) "Taste water."
  • (Cassiel) "Read a newspaper."
  • (Seth) "To lie."
  • (Cassiel) "Through your teeth. To feed the dog."
  • (Seth) "Touch her hair."
  • (Cassiel) "What are you waiting for?"
  • (Maggie) "Why do you wear the same clothes all the time? Why won't you give me your phone number? Are you married?"
  • (Seth) "No."
  • (Maggie) "Are you homeless?"
  • (Seth) "No."
  • (Maggie) "Are you a drummer?"
  • (Seth) "The little girl asked me if she could be an angel."
  • (Cassiel) "They all want wings."
  • (Seth) "I never know what to say."
  • (Cassiel) "Tell them the truth. Angels aren't human. We were never human."
  • (Seth) "What if I just make her a little pair of wings out of paper?"
  • (Maggie) "No dying now, Mr. Messinger. Not until you give me Seth's phone number."
  • (Nathaniel Messinger) "Listen, kid: he gave these bozos the greatest gift in the universe; you think he didn't give it to us, too?"
  • (Seth) "Which gift?"
  • (Nathaniel Messinger) "Free will, brother. Free will."
  • (Seth) "I always asked the dying what they liked best about living. Wrote it down in my book. This is it. This is what I like best."
  • (Seth) "That doctor in the operating room. She looked right at me."
  • (Nathaniel Messinger) "-- and you're reading my mind right now."
  • (Seth) "Stop that."
  • (Seth) "Can I ask you something?"
  • (Susan) "Yes?"
  • (Seth) "What did you like best?"
  • (Susan) "Pajamas."
  • (Seth) "She said, what good would wings be if you couldn't feel the wind on your face?"
  • (Seth) "I would rather have had one breath of her hair, one kiss of her mouth, one touch of her hand, than eternity without it. One."
  • (Maggie) "Are you a visitor?"
  • (Seth) "Yes."
  • (Maggie) "Well, visiting hours have been over since 8."
  • (Seth) "Wh-Why do they have that?"
  • (Maggie) "What?"
  • (Seth) "Hours. Doesn't it help the patient to be visited?"
  • (Maggie) "Well, who are you visiting? Mr. Messinger?"
  • (Seth) "Right now?"
  • (Maggie) "Yeah."
  • (Seth) "You."
  • (Seth) "Hello Maggie. It's nice to see you again."
  • (Maggie Rice) "It's weird to see you again."
  • (Seth) "Weird is nice."
  • (Nathaniel Messinger) "Seth knows no fear, no pain, no hunger, he hears music in the sunrise. But he'd give it all up, he loves you that much."
  • (Maggie Rice) "I don't understand."
  • (Nathaniel Messinger) "He can fall, he can give up his existence as he knows it, he can give up eternity and become -- one of us."
  • (Maggie Rice) "I wait all day, just hoping for one more minute with you, and I don't even know you."
  • (Ann) "Never date a man who knows more about your vagina than you do."
  • (Nathaniel Messinger) "Some things are true whether you believe 'em or not."
  • (Seth) "What's that like? What's it taste like? Describe it like Hemingway."
  • (Maggie Rice) "Well, it tastes like a pear. You don't know what a pear tastes like?"
  • (Seth) "I don't know what a pear tastes like to you."
  • (Maggie Rice) "Sweet, juicy, soft on your tongue, grainy like a sugary sand that dissolves in your mouth. How's that?"
  • (Seth) "It's perfect."
  • (Maggie Rice) "I'm not afraid. When they ask me what I liked the best, I'll tell them, it was you."
  • (Seth) "To touch you -- and to feel you. To be able to hold your hand right now. Do you know what that means to me? Do you; Do you know how much I love you?"

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