Pontypool (film) Quotes

Pontypool (film) is a TV show that was first aired in 1970 . Pontypool ended in 1970.

It features Jeffrey Coghlan as producer, Claude Foisy in charge of musical score, and Miroslaw Baszak as head of cinematography.

Pontypool (film) is recorded in English and originally aired in Canada. Each episode of Pontypool (film) is 95 minutes long. Pontypool (film) is distributed by Maple Pictures.

The cast includes: Stephen McHattie as Grant Mazzy, Hrant Alianak as Dr. Mendez, Lisa Houle as Sydney Briar, Georgina Reilly as Laurel Ann, and Rick Roberts as Ken Loney.

Pontypool (film) Quotes

Lisa Houle as Sydney Briar

• (Lisa Houle) "Kill me."

• (Lisa Houle) "Oh, God. You're gonna eat me soon, aren't you?"

Georgina Reilly as Laurel Ann

• (Georgina Reilly) "We have an enemy, sir."
• (Stephen McHattie) "Laurel-Ann, we've got an enemy."
• (Lisa Houle) "Ok, what's going on?"
• (Lisa Houle) "Those are my words. Those are my words. What is going on?"
• (Stephen McHattie) "Sydney, hey Sydney, listen."
• (Lisa Houle) "I'm scared."
• (Stephen McHattie) "Sydney, listen, I'm scared, too."
• (Stephen McHattie) "Hey, Laurel-Ann, we got a first aid kit?"
• (Georgina Reilly) "Yeah, ok."
• (Stephen McHattie) "Sydney, focus here. Focus and look at me. Where are your kids?"
• (Lisa Houle) "They're with him. They're in the city."
• (Stephen McHattie) "That's 100 kilometers away. They're safe, right?"
• (Lisa Houle) "Oh, god, yeah."
• (Stephen McHattie) "They're safe. Ok. We got work to do. I'm going back on the radio. This is a heck of a shift, Sydney. What's up first?"
• (Lisa Houle) "Obits."
• (Stephen McHattie) "Obits, ok, but I got nothing taped."
• (Lisa Houle) "Ok, we'll go live."
• (Stephen McHattie) "Live. Let's go."

• (Georgina Reilly) "Are you listening to this?"
• (Lisa Houle) "I'm really trying not to. I left my cell phone in the sound booth. I want to talk to the kids. When he's got them, he turns his cell phone off or doesn't pick up or; I don't know."
• (Georgina Reilly) "He's a jerk."
• (Lisa Houle) "So, did anything, um, this crazy ever happen to you in Afghanistan?"
• (Georgina Reilly) "No, sir. Leave this situation I brought back in my head."
• (Lisa Houle) "What do you; what do you mean?"
• (Georgina Reilly) "I don't really know. I'm gonna go see if Mr. Mazzy's missing. Mi-missing. Missing. Missing. Missing? As in; I mean; I mean, Mr. Mazzy. Mr. Mazzy's missing, as in, cause he's not here."
• (Lisa Houle) "Well, honey, he's in the sound booth."
• (Georgina Reilly) "Yeah, I know, I just; I'm gonna; I'm gonna go."
• (Lisa Houle) "Excuse me."
• (Hrant Alianak) "Sorry. Please, don't be alarmed. I am Dr. John Mendez. I have literally been crawling on my hands and knees throughout town, all over and, and;"
• (Hrant Alianak) "Ok, oh. Don't; don't say anything. Ok. Oh, boy."
• (Lisa Houle) "She just started doing this."
• (Hrant Alianak) "Um, sorry, uh, I'm a doctor, um, we should step out."
• (Lisa Houle) "Laurel-Ann? Laurel-Ann, honey, are you okay?"
• (Hrant Alianak) "No, no, no, no, no, no. It's terribly urgent that we keep moving. She'll follow our voices. We have to, uh; what's that?"
• (Lisa Houle) "It's the sound booth."
• (Hrant Alianak) "Lifeboat. Let's go."
• (Georgina Reilly) "Mr. M- M- Mr. Mendez is missing Mazzy. No, no, I'm missing Mazzy. I have to;"

• (Georgina Reilly) "No, guys, wait. I'm not missing anymore. I don't miss Mr. Mazzy."

• (Georgina Reilly) "Let's make radio."

Stephen McHattie as Grant Mazzy

• (Stephen McHattie) "Sydney Briar is alive."

• (Stephen McHattie) "But you know what friends? We were never making sense. And today, when armageddon leached out into your good, good mornings, you know what? It's just another day. Another day in Pontypool. The sun came up, you did what you did yesterday, and it's exactly what you'll do tomorrow. Today's news folks, today's late breaking, developing just across my desk news story is this: it's not the end of the world folks. It's just the end of the day. This is Grant Mazzy for CLSY radio nowhere, and I'm still here, you cocksuckers."

• (Stephen McHattie) "Now, in our top story of today, a big, cold, dull, dark, white, empty, never-ending blow my brains out, seasonal affective disorder freaking kill me now weather-front, that'll last all day; or maybe; when the wind shifts later on, we'll get a little greenhouse gas relief from the industrial south. HAIL MARY, yea though I walk; we go to Ken Loney; in the Sunshine chopper."
• (Rick Roberts) "It's always brighter above the clouds Grant."

• (Stephen McHattie) "Is not understanding what disinfects it? See, that's the question. If it disinfects it, then how; without distorting, how do you do that?"
• (Lisa Houle) "You kill the word that's killing you."
• (Stephen McHattie) "Oh, you kill the word that's killing you. That's good. You repeat it. Yeah, I remember as a kid, I used to, uh, I used to repeat words over and over again till they were incomprehensible. You think that's what it is? Is that why they're repeating things? Is it some kind of immune system response?"
• (Lisa Houle) "You have to kill all the killing."
• (Stephen McHattie) "But it doesn't work, because they repeat the word and then they still get sick. So how do you make it unrecognizable? How? And what word?"
• (Lisa Houle) "Kill."
• (Stephen McHattie) "Kill."
• (Lisa Houle) "Kill. Kill. Kill. Kill."
• (Stephen McHattie) "Syd?"
• (Lisa Houle) "Kill. Kill. Kill. Kill."
• (Stephen McHattie) "Are you okay? You okay?"
• (Lisa Houle) "Kill, kill, kill."
• (Stephen McHattie) "Ok. Syd? Sydney, I,; I think you got an infected word. You; you're infected. But we know the word."
• (Stephen McHattie) "Don't say anything. No, no, no, stop. We know the word."
• (Lisa Houle) "Kill, kill, kill."
• (Stephen McHattie) "Ok, kill isn't kill. Sydney, kill isn't kill. It isn't kill. Kill isn't kill. Kill isn't kill. Kill isn't kill. Kill isn't kill. Kill isn't kill. Oh, god. I don't know, I don't know. I don't know. Uh, uh, ok. Kill is blue. Kill is wonderful. Kill is loving. Kill is baby. Kill is Manet's Garden. Kill is a beautiful morning. Kill is everything you ever wanted. Kill is, kill is, uh, kill is kiss."
• (Stephen McHattie) "Kill is; kill is; kill is kiss? Kill is kiss. Is that it? Kill is kiss? Kill is kiss. Kill is kiss. Kill is kiss. Kill is kiss. Kill is kiss? Kill is kiss. What is kill?"
• (Lisa Houle) "Kiss. Kill me."
• (Stephen McHattie) "What?"
• (Lisa Houle) "Kill me."
• (Lisa Houle) "Kill is kiss. Kill is kiss. Kill is kiss. Ok. Ok, I feel better."

• (Stephen McHattie) "It's not the end of the world, it's just the end of the day."

• (Stephen McHattie) "Mrs. French's cat is missing. The signs are posted all over town. "Have you seen Honey?" We've all seen the posters, but nobody has seen Honey the cat. Nobody. Until last Thursday morning, when Miss Colette Piscine swerved her car to miss Honey the cat as she drove across a bridge. Well this bridge, now slightly damaged, is a bit of a local treasure and even has its own fancy name; Pont de Flaque. Now Collette, that sounds like Culotte. That's Panty in French. And Piscine means Pool. Panty pool. Flaque also means pool in French, so Colete Piscine, in French Panty Pool, drives over the Pont de Flaque, the Pont de Pool if you will, to avoid hitting Mrs. French's cat that has been missing in Pontypool. Pontypool. Pontypool. Panty pool. Pont de Flaque. What does it mean? Well, Norman Mailer, he had an interesting theory that he used to explain the strange coincidences in the aftermath of the JFK assasination. In the wake of huge events, after them and before them, physical details they spasm for a moment; they sort of unlock and when they come back into focus they suddenly coincide in a weird way. Street names and birthdates and middle names, all kind of superfluous things appear related to eachother. It's a ripple effect. So, what does it mean? Well -- it means something's going to happen. Something big. But then, something's always about to happen."

• (Stephen McHattie) "Let's get out of here."
• (Lisa Houle) "Where are we going?"
• (Stephen McHattie) "I can't play by the establishment rules any longer. My patience is worn thin. We're breaking the limits, stealing cars, leaving the world behind to figure out what they believe is black and white."
• (Lisa Houle) "But what about --"
• (Stephen McHattie) "What about what about? It's not a good anti-establisment way to begin a question."
• (Lisa Houle) "My name."
• (Stephen McHattie) "My name, too."
• (Lisa Houle) "Johnny Deadeyes."
• (Stephen McHattie) "Hmm. Lisa the Killer."
• (Lisa Houle) "Where we going, Johnny?"
• (Stephen McHattie) "To a new place that isn't even there yet."
• (Lisa Houle) "And then?"
• (Stephen McHattie) "Then we steal the loot and knock boots in the free world, baby."
• (Lisa Houle) "Ok. Ok, baby."
• (Stephen McHattie) "Shh."

Hrant Alianak as Dr. Mendez

• (Hrant Alianak) "Your friend is sick. I've seen a lot of this lately. She doesn't know it yet, but she's hunting us."

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